Looking at Some 'PORCH' Windows
In addition to its attention-getting canopy designed by Marlon Blackwell Architects, the US Pavilion at this year's Venice Architecture Biennale features 54 contributions from American architects addressing the theme PORCH: An Architecture of Generosity. World-Architects took photos of some of the so-called “Porch Windows” on display inside the pavilion and presents them here.
For American Framing, the US Pavilion at the 2021 Venice Architecture Biennale, curators Paul Andersen and Paul Preissner erected a large accessible wooden structure in front of America's stone and brick pavilion in the Giardini. This year, curator Peter MacKieth, from the Fay Jones School of Architecture and Design at the University of Arkansas, and architect Marlon Blackwell have taken a similar approach, cantilevering a slatted canopy on a mass timber structure. The impetus was to create a shaded space—a large porch—for sitting, congregating, and the occasional performance, but the structure also screens views of the neoclassical pavilion that was designed by Williams Adams Delano and Chester Holmes Aldrich in 1930. The structure gives the U-shaped pavilion its own porch and turns its forecourt into a welcoming social space. Furthermore, it elevates vernacular and contemporary approaches to designing covered outdoor spaces over the classical or neoclassical images that may spring to mind when one thinks of the American porch.
Inside, PORCH: An Architecture of Generosity features 54 contributions solicited from an open call, each one fitted into horizontal and vertical “Porch Windows,” in an exhibition design by Jonathan Boelkins. Together these windows capture the diversity of the United States, demographically and geographically, and of porches themselves, from their sizes and shapes, to their locations and purposes. Some of the displays express the designs of porches or porch-like spaces by architects, while others comment upon the social, environmental, and other roles porches serve today. World-Architects was drawn particularly to the vertical Porch Windows, which are positioned at eye height, are occasionally interactive, and have a depth that makes them spatial, not just flat representations. A few of our favorites are below, grouped into pairs based on shared traits, such as location, form, color, or apparent themes.
RIGHT: “More Delicious, More Lovely, More Beautiful” by Danielle Hatch (Arkansas)
RIGHT: “Storefronts, LA” by Office of: Office (Los Angeles, CA)
RIGHT: “Avis–Elsmere” by Detroit Collaborative Design Center, University of Detroit Mercy / Et al. Collaborative / Inside Southwest Detroit (Detroit, MI)
RIGHT: “What Makes a Porch Public? Enhancing Civic Life in New York City” by New York City Department of Transportation, WXY Studio, SITU (New York, NY)
RIGHT: “Neuhoff: Reviving the Soul” by Smith Gee Studio + S9 Architecture
RIGHT: “Tougaloo College Academic and Civil Rights Research Center” by Duvall Decker Architects (Jackson, MS)
RIGHT: “Understory—A Forest Porch” by Letter J (New York, NY)
RIGHT: “Between the City and the Sound: The Urban Porch” by The Miller Hull Partnership (Seattle, WA)